2010 – 2006
The work confronts his aversion to existing faulty systems by constructing abstract works within a controlled setting. By suspending the marker, he allows gravity to assume control of the print, offering assurance of authenticity in production. A unique method of documentation of physical activity, the print is directly impacted by the artist’s posture, speed, and mood as it relates to his movement, remaining susceptible to the inevitable calamity of life despite being confined within the laws of physics. Conscious of the process of creation, members of the audience begin to connect to the work, examining the abstract print for signs of cause and effect. The result: a shared experience between the artist and his audience, producing an abstract work of art free of misrepresentation.